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Shigeru Mizuki Hand-Drawn Manuscript "Kaiki Ichiban Shoubu"

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With warranty

Condition

slightly wrinkled , slightly stained, slightly damaged

Current Price

8,000,000 yen

Start Price

2,000,000 yen

Your Maximum Bid

0 yen

Final Item Price (may be displayed as 0 if not the winning bidder)

0 yen

No. of Bids

53

No. of Watchers

67

Time Left

Closed

Start Time

2021/12/15 00:00:00

Live Time

2022/01/07 20:08:01

2022/01/07 03:08:01

Item Number

3022z107

Auction Style

LIVE EVENT

Bid Increments [Info]

100,000 yen

Bidding has ended

Item's Details

(item number) 3022
(title) Shigeru Mizuki Hand-Drawn Manuscript "Kaiki Ichiban Shoubu"
(size) 215 x 265 mm
(side note) Paste from the bottom of the separate sheet on the spine, and paste from the top of the separate sheet with registration marks
(condition) Average
(detailed) slightly wrinkled , slightly stained, slightly damaged
(starting bid price) 2,000,000 yen

(comment) The dynamism of this original picture shows the spirit of Mizuki at that time.
First, let's look back at the situation at that time.
Mizuki Shigeru's graveyard Kitaro started with 2 books of "Yokiden" and 3 books of "Graveyard Kitaro" in 1960 from Togetsu Shobo. However, Totsuki Shobo credited Hiroyuki Takeuchi for writing after volume 4, and Masami Ito, the original author of "Kitaro in the Graveyard," before the war, and "Kitaro in the Graveyard" remained popular until volume 19.
It is clear that the relationship between Mizuki and the entangled Totsuki shobo that is often said on the street was actually dissolved by starting to draw "Kappa no Sanpei" in the same Totsuki shobo within a year. When I calmly thought about it, I think it was a very happy time for the fans of the bizarre manga who were able to continue reading "Obaba Kitaro (Takeuchi Hiroyuki version)" and "Kappa no Sanpei" at the same time every month.
The attachment to the content of "Tomoba Kitaro", which has been drawn by many painters since before the war, has been proved by the focus on the work of "Tomoba Kitaro Yomikiri Long Story Series Kaiki Ichiban Shobu", which was drawn after two years of absence. This Kitaro does not have laughter or lightness, and challenges new comic expressions like hard boiled, killing people, even eating candles, and fighting with a severed hand, and it is a masterpiece that does not resemble any Kitaro.
This is the cover picture.
The only left-eyed cover picture of Kitaro is influenced by the content of the work and is the most powerful and evil in the history of Kitaro.
The sinister vitality of the left hand hidden behind the title logo. The strong feeling of Shigeru Mizuki who recaptured Kitaro in this work made him draw it, and Kitaro and Mizuki's parallel run will continue until he dies in 2015.
In that sense, isn't "Kaiki Ichiban Shobu" the most important work for Kitaro? (Tsujinaka)

Translation is done by machine translator.

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