(item number) 1003
(title) Wakagi Shobou/ "Maze 2"
(maker) Wakaki Shobo
(the date of issue) 1958 (S33) 12.03
(size) A5
(sheets) 128P
(side note) Top made with cover
(Condition Rating) 6
(detailed) Kashi-hon, discolored and stained, small tears and damage to cover, fold marks on cover, cover pasted down, string binding reinforced with tape, peeling on front inner pages (2 and 3), store stamp on inside back cover, stamped on lower edge, many bottom tears in text
(starting bid price) 45,000 yen
(comment) Cover attachment / Table 2 Traces of peeling off
Tsutomu Imamura "The Invisible Revenge (Second)"
Masahiko Matsumoto "Street Lamp"
Fukaihiro "Statue of Yukio"
Yoshiharu Tsuge "One Night"
Noboru Ishiguro "Memory"
Madoka Oishi "One Hundred Yen Notes"
Relationship between connections and influence
Yoshihiro
Yoshihiro and the pioneer of dramatography in 1958, and I got a lot of inspiration from that expression technique
Sanpei Shirotsuchi
At the recommendation of Sanpei Shirotsuchi, who highly praised "Ghost Chimney", Tsuge later laid the foundation for his activities in the manga magazine "Galo".
・Masahiko Matsumoto and Osamu Tezuka
The composition technique of Masahiko Matsumoto, who was active in the book lending world at the same time, and the storytelling he learned from Osamu Tezuka's early work influenced the formation of Tsuge's painting style.
[Maze[2][4][10][12]]
Until then, in addition to single books drawn mainly at Wakaki Shobo, Tsuge had also published works at monthly manga magazines such as Hobunsha "Bokai Book" and Akita Shoten "Adventure King" and "Manga King", but after the launch of "Maze" in November 1959 (Showa 34), the book lending industry became dimly, and until "Galo" appeared, it was almost exclusively limited to the world of book lending.
Tsuge said that magazine work at major publications on the night before the maze had inevitably received publishers' intentions and orders, and he was about to lose his motivation to create because he could not draw what he wanted to draw.
Therefore, it may have been natural for him to move his pivot there. However, it didn't seem to be smooth sailing, as he was using the book rental industry as his main battleground, and was able to draw whatever he wanted. After all, it is something that the reader's eyes have, and this time, it will be a time to struggle between what you think and the public's demand, which will be directly linked to immediate monetary issues (Kubo)
128TsugeYoshiharu
z128 |
