(item number) 1005
(title) Wakagi Shobou/ "Maze 10"
(maker) Wakaki Shobo
(the date of issue) 1959 (S34) 08.03
(size) A5
(sheets) 192P
(side note) With cover
(Condition Rating) 7
(detailed) Kashi-hon, discolored and stained, lower text torn, cover torn and damaged with pasted-on paper, folding around cover, string binding reinforced with tape, stamp on inside back cover and on p.192
(starting bid price) 45,000 yen
(comment) Turn-over stamp
Horie Taku "Gold Boy"
Tsuge Yoshiharu "Handcuffs"
Kosaka Hiroshi "The Man Who Bets on Death"
Saito Taka "Typhoon Goro, Go Home to Me"
Fukaihiro "Arashi"
Matsumoto Masahiko "Marine Murder Case"
Ishiguro Noboru "I've committed a complete crime"
Tsuge Tadao "Rotating Handgun"
Yamaguchi Yuko "I'm Scared of Fire!"
Chokai Yasuto "Mice of the Sky"
Relationships and Influences ,
・ Yoshihiro , Yoshihiro got acquainted in 1958 with Yoshihiro, a pioneer of dramatography, and is greatly inspired by his expressive techniques , ・ Shiratsuchi Sanpei , Tsuge has established an active base in the manga magazine "Garo" on the recommendation of later Tsuge Sanpei Shiratsuchi, who highly praised "Gabake Chimney". ,
・ Matsumoto Masahiko / Tezuka Osamu , Matsumoto Masahiko's compositional techniques, who was active in the book rental world at the same time as well as storytelling learned from early Tezuka Osamu works, influenced Tsuge's painting style formation
[Maze[2][4][10][12]] , Tsuge had previously published works mainly drawn at Wakaki Shobo, as well as monthly manga magazines such as Hobunsha 'Bokai Book' and Akita Shoten 'Adventure King'. After the creation of 'Maze' in November 1959 (Showa 34), until the appearance of 'Garo', the place for publication was almost limited to the world of book rental manga.
Tsuge said that magazine work at major publishers on the eve of maze at the time had inevitably received publishers' wishes and orders, and she was about to lose her motivation to create because she could not draw what she wanted.
Therefore, it may have been possible to reach a new frontier of "ghost chimney", which was smaller than that of large publishers and could more directly reflect her authorship, and it may have been natural to move her focus there. However, it didn't seem to be smooth sailing, as he was using the book rental industry as his main battleground, and was able to draw whatever he wanted. After all, it is something that the reader's eyes have, and this time, it will be a time to struggle between what you think and the public's demand, which will be directly linked to immediate monetary issues (Kubo)
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